Deutsch

A conversation with the gramophone expert Ralf Schumacher about buried treasure and fascination with non-electric technology. To article in German...

The Berliner Congress Civil Society 4.0 brought together activists and experts from (among others) Refugee Emancipation, Chaos Computer Club Berlin, metroZones, Refugee Hackathon, United Action, Women in Exile, Refugee Empowerment, and The Voice to ask what happens when “civil” is not limited to citizens, but all those who act politically and publicly: on the street, in institutions, in the media. When we are the state. Not based on nationality, but based on our humanity. To article in German...

A genuine exchange within society is not wanted, this is evident in the treatment of refugees. However, we need a culture of open dialog which accommodates difference and opens up time-spaces for the development of sustainable political strategies. Only the opportunity for active participation in society can prevent the excluded from retreating into particularist communities. To article...

From radio propaganda in Rwanda to torture in Guantanamo Bay, bloodshed accompanied by a soundtrack of reggae during the civil war in Sierra Leone to the calls to battle of the Marseillaise: What does music have to do with war? The cultural anthropologist Angela Dreßler explores this question, and in the process discovers how music is supposed to put fears of another military putsch to rest in war-torn Guinea-Bissau. To article in German...

On conceptions of time and accelerated Capitalism: Guo Jinniu used to be a migrant worker in South China, where he worked at the Foxconn factory for some time. His poems reflect the massive transformation China undergoes since opening up to economic liberalism. To article...

On the autonomy of technology

Can we say that Technology as is exists today competes in its global impact with Nature and Society? Media theorist Erich Hörl and geoscientist Peter K. Haff discuss the Technosphere: how did technology turn into a semi-autonomous ecosystem? To article...

About the festival "Singing the War"

The connections between war and music are as diverse as they are many. 100 years after the First World War, the project “Singing the War” looks at these relationships in their manifestations since: from technologies developed for use in war that would later take on a central role in music (radio, loud speakers, recording, etc.) to music as war propaganda, as a form of resistance, as a means of processing, etc. „Singing the War“ draws an arc over the century to draw attention to just how close war is to Europe today. A Discussion with Bernd Scherer and the curators of the project Detlef Diederichsen and Holger Schulze. To article in German...

Introductory speech from Bernd Scherer, Director of the HKW, on the occasion of the kick-off to 100 Years of Now on 30/09/2015.

Emergency administration of the moment versus history as a space of possibility: How can our society develop new models for action instead of just continually reacting to unexpected challenges? In order to answer this question Bernd Scherer has thrown a wide net—from contemporary history to military and technological history. Capitalism, technology and acceleration have given rise to an explosive amalgam whose composition urgently requires analysis: the present. To article...

Thomas Meinecke, front man of the band F.S.K. talks about music in an age of mobilization and propaganda. To article in German...

An interview with Jihan El-Tahri

Documentary filmmaker Jihan El-Tahri takes a close look at modern Egyptian society in the shadow of the three “Pharaohs” Nasser, Sadat and Mubarak. A discussion about her planned trilogy. To article...