In 1957 the artist Guy Debord, together with other left-wing European intellectuals, founded the Situationist International (S.I.). The movement understood itself as a “revolutionary front within culture”, critiquing the spectacle of the commodity society of the time using the methods of play and the so-called communication guerrilla. In an age in which the principles of the market economy now exercise an even more pervasive influence on life, the exhibition project The Most Dangerous Game at HKW initiates a reassessment of the Situationist critique. In discussion with HKW director Bernd Scherer, the curators Wolfgang Scheppe and Roberto Ohrt explore how the S.I. understood the sublation of art, while its members nevertheless perceived themselves as professional revolutionaries in the field of art, demonstrating intellectual flexibility within this dichotomy. To article in German...

Culture and media theorist Benjamin Steininger from the group Beauty of Oil explains the fusion of the coal and petrochemistry industries since the 1920s and sketches the far ranging consequences from the Second World War to the present. To article...

Environmental concepts have their own time. The media historian Orit Halpern describes the engineering-driven transformations of architecture and design since the middle of the 20th century and how they led to ideas of a technological habitat. To article...

The year 1948 was a visionary moment in which antigenetics, ideology and the exploration of life in other worlds mutually inspired one another. The historian of biology Luis Campos casts light on the “avant-gardes” of breeding biology, on their ideas for the creation of new organisms and habitats. Is it just a question of time before visions of the future from back then become the reality? To article...