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100 years ago educational reformers worldwide attempted to establish the foundations for new learning and teaching. In the long-term praxis project “Schools of Tomorrow“, which examines these past approaches from today’s perspective, artists, pedagogues, and scientists experiment with new learning formats. The curator Silvia Fehrmann and Daniel Seitz from Jugend hackt discuss alternative approaches, the complexities of the daily life of the new generation, and independently minded children. To article in German...

According to widespread demands, school instruction needs to comprehensively change in order to prepare young people for a future knowledge-based society. The present is characterized by geopolitical conflicts: climate change, exploitation of resources and neo-nationalism. Social inequality is growing. What skills are needed to open up future perspectives? How can we imagine schools that take part in shaping a desirable tomorrow?  Keri Facer, Professor of Educational and Social Futures at the University of Bristol, examines the challenge of rethinking the relationship between schools, society and the future. To article...

Today a global quantification industry is engaged in the measurement of learning achievements. However, the education of self-determined, empowered subjects cannot be expressed in figures. What alternatives are there to a concept of teaching as the exercise of control? In his contribution the educational theorist Gert Biesta focuses on the role of teachers in an emancipatory education program. To article...

Who has the sovereignty of interpretation over history? What new perspectives and approaches to it are possible? The artist, filmmaker, and theater creator Ho Tzu Nyen on the tiger as a metaphor for the historical entanglements between man, nature, and culture in Malaysia and Singapore, the meaning of language and song in his work, and the uncertainties generated by engaging with (colonial) history. To article...

How to develop a non-essentialist conception of identity? What strategies are conducive to decolonize the imagination? Anselm Franke and Hyunjin Kim, the curators of the exhibition 2 or 3 Tigers, discuss the colonial beginnings of worldwide surveillance, the dangers of nationalism in history and today, and the possibilities for emancipation from understandings of tradition in both East Asia and the West. To article...

In this interview the editors Katrin Klingan and Christoph Rosol discuss the contents of HKW’s online Technosphere Magazine. In a series of dossiers aimed at an international readership, artists, designers, and scientists explore the concept of the Technosphere, embracing the breakdown of the categorical divisions between man, technology, and nature. To article in German...

The Mexican-American composer Conlon Nancarrow (1912–1997) lived in relative isolation in the suburbs of Mexico City, where he created an extremely innovate œuvre on a player piano. It was only at a late age that he gained international recognition with his scores that, to this day, are almost too complex for modern music technology. Some of his works will now be performed on an original player piano at the festival Free! Music. A rare treat. To article...

From “Freedom Now” to “White Zulu”: Writer Max Annas spent several years at the University of Fort Hare in East London, researching South African jazz. In this interview, he speaks about the political importance of jazz for the history of the country, from Freedom Now to White Zulu. To article in German...

In an interview with Max Dax, the curators of the HKW’s Free! Music program, Detlef Diederichsen and Björn Gottstein, discuss their selection of music and its capacity to express liberational impulses – both musical and political. From the music of Conlon Nancarrow and Harry Partch – pioneers who freed compositional music from the restrictions of traditional instruments and tonality – to the musical freedom fighters under South Africa’s Apartheid regime, by way of Johnny Cash’s Folsom Prison concert, Free! Music explores the diverse experiences of “freedom, emancipation, delimitation, resistance, and protest” in music. To article in German...