For his installation in the exhibition “2 or 3 Tigers”, Chia-Wei Hsu, together with the frog god Marshall Tie Jia, reconstructed his temple in Wu-Yi that was destroyed during the Cultural Revolution. In the journal interview the artist discusses the common features of spiritual and digital worlds, his process-driven work with local communities, and the valuation of multiple variants of history. To article...
On conceptions of time and accelerated Capitalism: Guo Jinniu used to be a migrant worker in South China, where he worked at the Foxconn factory for some time. His poems reflect the massive transformation China undergoes since opening up to economic liberalism. To article...
