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Tag: Why Are We Here Now?

What connections are there between art forms and political systems? Rabih Mroué’s works revolve around the social situation in Lebanon and the Eastern Mediterranean. For “Why Are We Here Now?” he examines, together with representatives from the post-civil war art scene, Lebanese concepts of identity and the special role of the lecture performance. To article...

What form of theater can reflect changed realities? The journalist Katja Petrowskaja and the artist and playwright Mohammad Al Attar discuss Noam Chomsky and the international left, migration and military conflicts as lived experience, and theater as a political tool. To article...

More than virtually any other place, the Syrian city of Aleppo is associated with war and destruction. The artist Mohammad Al Attar resists such media codifications. A talk on intimate narratives, cherished places, and resilient memory. To article...

According to the thesis of the curator Adania Shibli, railways and their rail networks do not just constitute infrastructures, they also narrate histories of colonialism and its consequences. The curator invited Philip Rizk to write a piece about his journey from Berlin to the border of Syria, which the writer and filmmaker began in the summer of 2017. In his text Rizk explores the figure of the anarchist Alexander Berkman (1870-1936) who during his lifetime played an important role in the resistance against US and Russian imperialism, and, traveled on the tracks of the Baghdad Railway 100 years ago. To article...

By train from Berlin to Baghdad, from Damascus to Mecca: hard to imagine today – but this was not always the case. The writer and cultural researcher Adania Shibli on the history(ies) behind her program “After the Wildly Improbable”, on forbidden books, the utopia of travel, and rail tracks as witnesses. To article...