With every transformation in the media, images negotiate between levels of the visible and the invisible anew. In 1986 the art theorist and pioneer of the image theory W.J.T. Mitchell ventured an examination of the connections between the visible and the sayable. An excerpt from his legendary essay on the reproduction of cultural knowledge in images—which in light of the contemporary image politics of techno-capitalism is more relevant than ever. To article...

The dystopian video series “The Common Sense” is about “the patch.” Adhered to the palate, this prosthesis transfers the emotions and physical sensations of other people. Leaping through time and space, the video series reveals the far-reaching social changes that the gadget causes – from absolute surveillance at the workplace to a pornographic economy. In this interview artist Melanie Gilligan talks with Bert Rebhandl about devices, TV series and neurosciences. To article...