Tag: Europe

The writer Rana Dasgupta questions sociologist Boaventura de Sousa Santos about the state organizing its own erosion and the lack of alternatives to protect our societies from the consequences. To article...

How should today’s European societies deal with the damage of the colonial era? With the consequences of the destruction of places, bodies, and identities? And what forms of “reparation” for contemporary injustices would be appropriate? Within the framework of the event Body the artist Kader Attia and the philosopher Françoise Vergès addressed old and new collective wounds, amputations and their associated phantom pain. Hannah Gregory attended the film and discussion evening for the journal and discusses here their complementary positions. To article...

Artist Kader Attia – observes the film maker and composer Manthia Diawara – has a special gift: He can talk about alterity and the traumas caused by the colonial “Other” without lapsing into antagonisms. Attia’s Repair from Occident to Extra-Occidental Cultures provides a clear demonstration of this. The work shows familiar looking masks and sculptures from Africa and Europe, all of which are damaged and disfigured and in need of repair. Perhaps it is the trauma that Attia alludes to which generates a sense of commonality: The shared longing to be restored, to be repaired. The carnage of modernity – the guilt of colonialism and the First World War – is the starting point for the relationship between the self and the “Other”. Even if they are only relationships between damaged identities which Attia so emphatically postulates in his work. To article...

About the festival "Singing the War"

The connections between war and music are as diverse as they are many. One hundred years after the First World War, the festival program of Singing the War looks at the manifestations of these relationships since then, from technologies developed for use in war that would later take on a central role in music (radio, the loudspeaker, recording, etc.) to music as war propaganda, as a form of resistance, as a means of processing, etc. Singing the War draws an arc over the century to draw attention to just how close war is to Europe today. A Discussion with Bernd Scherer and the curators of the festival Detlef Diederichsen and Holger Schulze. To article...