Global Conflicts
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Global Conflicts

In an interview with Max Dax, the curators of the HKW’s Free! Music program, Detlef Diederichsen and Björn Gottstein, discuss their selection of music and its capacity to express liberational impulses – both musical and political. From the music of Conlon Nancarrow and Harry Partch – pioneers who freed compositional music from the restrictions of traditional instruments and tonality – to the musical freedom fighters under South Africa’s Apartheid regime, by way of Johnny Cash’s Folsom Prison concert, Free! Music explores the diverse experiences of “freedom, emancipation, delimitation, resistance, and protest” in music. To article in German...

The political theorist Sandro Mezzadra on “globalization from below,” labor mobility, and nations’ double-bind with capital. To article...

Whether it’s heavy metal or pop, doesn’t really matter: Tore Tvarnø Lind, music anthropologist at the University of Copenhagen, researches the methods of “modern” music torture. His work shows how, through structural violence and cruelty, music’s intended purpose is perverted and employed for human torture. An excerpt from his contribution to the newly published book “Krieg singen. To article...

For the 100 Years of Now. Journal Sarah Bay-Cheng attended the US premier of “Top Secret International (State 1) in New York. Beyond the Rimini Protokoll production itself the professor of theatre studies turns her attention to cyber attacks, fake news, and the image of the intelligence services. An exploration of the vulnerability of the algorithms and the contemporary crisis of democracy – in the theatre and in real life. To article...

Does truth exist? And do we still need it? Taking the concept of Négritude as their point of departure Nobel laureate in literature Wole Soyinka and film theorist Manthia Diawara talked about a universal idea and it’s relevance today. A short survey of edition #3 of the Dictionary of Now. To article...

From radio propaganda in Rwanda to torture in Guantanamo Bay, bloodshed accompanied by a soundtrack of reggae during the civil war in Sierra Leone to the calls to battle of the Marseillaise: What does music have to do with war? The cultural anthropologist Angela Dreßler explores this question, and in the process discovers how music is supposed to put fears of another military putsch to rest in war-torn Guinea-Bissau. To article in German...

About the festival "Singing the War"

The connections between war and music are as diverse as they are many. 100 years after the First World War, the project “Singing the War” looks at these relationships in their manifestations since: from technologies developed for use in war that would later take on a central role in music (radio, loud speakers, recording, etc.) to music as war propaganda, as a form of resistance, as a means of processing, etc. „Singing the War“ draws an arc over the century to draw attention to just how close war is to Europe today. A Discussion with Bernd Scherer and the curators of the project Detlef Diederichsen and Holger Schulze. To article in German...

Thomas Meinecke, front man of the band F.S.K. talks about music in an age of mobilization and propaganda. To article in German...