Tag: Modernity

How, one hundred years after the founding of the Bauhaus, can culture be rethought as a social project? And how does the design school continue to inspire visionary practices and discourses today? The curators of bauhaus imaginista Marion von Osten and Grant Watson discuss with art historian Mona Schieren the Bauhaus’s transnational relationships, correspondences, and migration stories, and its relevance for an art, design, and education of the future. To article...

Humankind proves to be both a shaper of Earth and the animal world. These formations and the wide-scale use – if not exploitation – of (other) animals by man causes great suffering to animals, which is generally hidden from the public and repressed by it. The legal scholar Anne Peters looks at the history of the relationship between “animals” and “man,” and calls for global standards of animal rights against the background of the dissolution of dichotomies. Article in German...

For the launch of the program series State 1-4 (2016-2018) from Rimini Protokoll in December 2016, the philosopher Boris Buden asked whether democracy is dead. Just over one year later, on the occasion of the presentation of the entire tetralogy in Berlin, he again poses the question of the diminishing of state influence in the political sphere and the historical “truth” of modern democracy. A homage to Rimini Protokoll’s “Experts of the Everyday”. To article...

The nation state has largely established itself as the international organizing principle of modernity. However, what do forms of resistance and alternative models to its conflict-laden demarcations and capitalist motivations look like? The political scientist James C. Scott examines “Zomia”, an upland region extending across South East Asia and the Tibetan Plateau whose indigenous population has resisted incorporation into empires and nation states since time immemorial. An excerpt from his groundbreaking book “The Art of Not Being Governed” (2009). To article...

For his installation in the exhibition “2 or 3 Tigers”, Chia-Wei Hsu, together with the frog god Marshall Tie Jia, reconstructed his temple in Wu-Yi that was destroyed during the Cultural Revolution. In the journal interview the artist discusses the common features of spiritual and digital worlds, his process-driven work with local communities, and the valuation of multiple variants of history. To article...

How to develop a non-essentialist conception of identity? What strategies are conducive to decolonize the imagination? Anselm Franke and Hyunjin Kim, the curators of the exhibition 2 or 3 Tigers, discuss the colonial beginnings of worldwide surveillance, the dangers of nationalism in history and today, and the possibilities for emancipation from understandings of tradition in both East Asia and the West. To article...

Is democracy dead? For the launch of the program series Staat 1-4 (2016-2018) from Rimini Protokoll on the decline in state influence in the political sphere and the gaps in the system, the philosopher Boris Buden illuminates the historical “truth” of modern democracy. To article...

Artist Kader Attia – observes the film maker and composer Manthia Diawara – has a special gift: He can talk about alterity and the traumas caused by the colonial “Other” without lapsing into antagonisms. Attia’s Repair from Occident to Extra-Occidental Cultures provides a clear demonstration of this. The work shows familiar looking masks and sculptures from Africa and Europe, all of which are damaged and disfigured and in need of repair. Perhaps it is the trauma that Attia alludes to which generates a sense of commonality: The shared longing to be restored, to be repaired. The carnage of modernity – the guilt of colonialism and the First World War – is the starting point for the relationship between the self and the “Other”. Even if they are only relationships between damaged identities which Attia so emphatically postulates in his work. To article...