Interview
Deutsch

Who has the sovereignty of interpretation over history? What new perspectives and approaches to it are possible? The artist, filmmaker, and theater creator Ho Tzu Nyen on the tiger as a metaphor for the historical entanglements between man, nature, and culture in Malaysia and Singapore, the meaning of language and song in his work, and the uncertainties generated by engaging with (colonial) history. To article...

How to develop a non-essentialist conception of identity? What strategies are conducive to decolonize the imagination? Anselm Franke and Hyunjin Kim, the curators of the exhibition 2 or 3 Tigers, discuss the colonial beginnings of worldwide surveillance, the dangers of nationalism in history and today, and the possibilities for emancipation from understandings of tradition in both East Asia and the West. To article...

In this interview the editors Katrin Klingan and Christoph Rosol discuss the contents of HKW’s online Technosphere Magazine. In a series of dossiers aimed at an international readership, artists, designers, and scientists explore the concept of the Technosphere, embracing the breakdown of the categorical divisions between man, technology, and nature. To article in German...

From “Freedom Now” to “White Zulu”: Writer Max Annas spent several years at the University of Fort Hare in East London, researching South African jazz. In this interview, he speaks about the political importance of jazz for the history of the country, from Freedom Now to White Zulu. To article in German...

In an interview with Max Dax, the curators of the HKW’s Free! Music program, Detlef Diederichsen and Björn Gottstein, discuss their selection of music and its capacity to express liberational impulses – both musical and political. From the music of Conlon Nancarrow and Harry Partch – pioneers who freed compositional music from the restrictions of traditional instruments and tonality – to the musical freedom fighters under South Africa’s Apartheid regime, by way of Johnny Cash’s Folsom Prison concert, Free! Music explores the diverse experiences of “freedom, emancipation, delimitation, resistance, and protest” in music. To article in German...

The writer Rana Dasgupta questions sociologist Boaventura de Sousa Santos about the state organizing its own erosion and the lack of alternatives to protect our societies from the consequences. To article...

A conversation with the curators of Now is the Time of Monsters and the writer and journalist Slavenka Drakulić about national narratives, international law, and the obstacles of “official history”. To article...

Deep Learning with Trevor Paglen

How is an artificial Intelligence being trained? Trevor Paglen fathoms systems of intelligence and control and challenges our understanding of the distance between us and them: he is making visible the obscure and restricted infrastructures of massively data-driven state surveillance through long-distance telephotography of military sites, scuba diving into the depth of the ocean to the sunken fiber optic cables of the internet and their NSA wiretaps, and discovering the social implications of image generators like Google’s DeepDream. Paul Feigelfeld met him in his Berlin studio. An extract from the new HKW publication “Nervöse Systeme.” To article...

What could be a contemporary definition of public benefit housing? For the 100 Years of Now. Journal, architectural historian Anne Kockelkorn explores central issues of social housing construction in West Germany. In an interview on the core question of the new publication “Wohnungsfrage,” she describes a paradigm shift from housing quantity to housing quality in the 1970s, and develops scenarios that could lead to an improvement of the living situation of many: away from housing as a commodity to an understanding of housing as a use-value. To article...

The international controversy of the housing question, cultural transfers and the Bauhaus: A conversation between HKW director Bernd SchererClaudia Perren and Franziska Eidner. To article...

“Recording in Progress” is a sound installation by Julia Tieke that translates German-language media reports on migration and flight into the languages spoken by those who are being reported on. It confronts the audience with the situation of not understanding on the one hand, but on the other, it also presents German-language commentary by the translators and speakers about the political background on misunderstanding language. The Radio moderator and author Julia Tieke talks to Elisabeth Wellershaus in an interview about discoveries, pitfalls, and newly created words in the complex field of translation. To article in German...

The migration scholar Nanna Heidenreich talks about her three-part project “Soundtracks”. Discussing the works by Constanze Fischbeck, Philip Scheffner, and Julia Tieke that make up this project, Nanna Heidenreich illustrates how listening is politicized, which narratives and voices are perceived in and by today’s media landscape and which are not, and how to avoid victimization and exploitation of projects “about,” but not “made by” immigrants and refugees. To article in German...